BEGIN:VCALENDAR VERSION:2.0 PRODID:-//Sabre//Sabre VObject 4.6.1//EN CALSCALE:GREGORIAN BEGIN:VTIMEZONE TZID:Europe/Zurich X-LIC-LOCATION:Europe/Zurich TZURL:http://tzurl.org/zoneinfo/Europe/Zurich BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:19810329T020000 RRULE:FREQ=YEARLY;BYMONTH=3;BYDAY=-1SU END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:19961027T030000 RRULE:FREQ=YEARLY;BYMONTH=10;BYDAY=-1SU END:STANDARD END:VTIMEZONE BEGIN:VEVENT UID:news362@eikones.philhist.unibas.ch DTSTAMP;TZID=Europe/Zurich:20260910T211844 DTSTART;TZID=Europe/Zurich:20261020T181500 SUMMARY:Both/And: Madeleine Lemaire Through a Queer Lens DESCRIPTION:Throughout her career\, Madeleine Lemaire (1845-1928) painted h undreds of works depicting women in various states of dress—and undress —and companionship with other women. These images tended to receive posi tive notice in both exhibitions and the popular press\, with no recorded c ommentary on the purported appropriateness of a so-called “woman artist ” representing seemingly Sapphic scenes. Yet today it remains common to hear that “women artists” on the whole did not paint such images\, and when they did\, such images were rarely if ever sexualized. In this prese ntation\, Ringelberg will share a number of these images and ask the audie nce to rethink the mental frameworks that cause us to be unable to see the m in their complexity.\\r\\nKirstin Ringelberg is Professor of Art History in the Department of History & Geography at Elon University in North Caro lina. Their book Redefining Gender in American Impressionist Studio Painti ngs: Work Place/Domestic Space was re-released in paperback in 2017. Recen t articles include “Reading Cisheteronormativity into the Art Historical Archives” in Arts\, spring 2024\, “Trans visibility and trans viabili ty: a Roundtable\,” co-edited\, with Jill Casid and Cyle Metzger\, in th e Journal of Visual Culture in 2022\, and “Prismatic Views: a look at th e growing field of transgender art and visual culture studies\,” co-auth ored with Cyle Metzger in the Journal of Visual Culture in 2020. In 2024\, Ringelberg was the Every Page Foundation Fellow at the Clark Art Institut e\, for work on their book-length project Chez Madeleine Lemaire: Gender a nd Genre in the Queer Belle Époque (in progress). \\r\\nInformation on t he workshop “Toute La Flore Vivante”: Floral Still Life’s Gender Pot ential [https://eikones.philhist.unibas.ch/de/aktuelles/veranstaltungen/ev ent-details/toute-la-flore-vivante-floral-still-lifes-gender-potential/] w ith Kirstin Ringelberg the following day.  X-ALT-DESC:

Throughout her career\, Madeleine Lemaire (1845-1928) painted hundreds of works depicting women in various states of dress—and undres s—and companionship with other women. These images tended to receive pos itive notice in both exhibitions and the popular press\, with no recorded commentary on the purported appropriateness of a so-called “woman artist ” representing seemingly Sapphic scenes. Yet today it remains common to hear that “women artists” on the whole did not paint such images\, and when they did\, such images were rarely if ever sexualized. In this prese ntation\, Ringelberg will share a number of these images and ask the audie nce to rethink the mental frameworks that cause us to be unable to see the m in their complexity.

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Kirstin Ringelberg is Professor of Art Hist ory in the Department of History &\; Geography at Elon University in No rth Carolina. Their book Redefining Gender in American Impressionist St udio Paintings: Work Place/Domestic Space was re-released in paperback in 2017. Recent articles include “Reading Cisheteronormativity into the Art Historical Archives” in Arts\, spring 2024\, “Trans visibi lity and trans viability: a Roundtable\,” co-edited\, with Jill Casid an d Cyle Metzger\, in the Journal of Visual Culture in 2022\, and “ Prismatic Views: a look at the growing field of transgender art and visual culture studies\,” co-authored with Cyle Metzger in the Journal of V isual Culture in 2020. In 2024\, Ringelberg was the Every Page Foundat ion Fellow at the Clark Art Institute\, for work on their book-length proj ect Chez Madeleine Lemaire: Gender and Genre in the Queer Belle Époque (in progress).
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Information on the workshop “To ute La Flore Vivante”: Floral Still Life’s Gender Potential with K irstin Ringelberg the following day.
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DTEND;TZID=Europe/Zurich:20261020T194500 END:VEVENT END:VCALENDAR