BEGIN:VCALENDAR VERSION:2.0 PRODID:-//Sabre//Sabre VObject 4.6.1//EN CALSCALE:GREGORIAN BEGIN:VTIMEZONE TZID:Europe/Zurich X-LIC-LOCATION:Europe/Zurich TZURL:http://tzurl.org/zoneinfo/Europe/Zurich BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:19810329T020000 RRULE:FREQ=YEARLY;BYMONTH=3;BYDAY=-1SU END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:19961027T030000 RRULE:FREQ=YEARLY;BYMONTH=10;BYDAY=-1SU END:STANDARD END:VTIMEZONE BEGIN:VEVENT UID:news344@eikones.philhist.unibas.ch DTSTAMP;TZID=Europe/Zurich:20260518T101321 DTSTART;TZID=Europe/Zurich:20260518T100000 SUMMARY:Queer Art History – Methods and Terms DESCRIPTION:Program\\r\\n10 am – 12 pm (Kunstmuseum Basel)Opening input b y Jonathan D. Katz\\r\\nJoint walkthrough of the exhibition The First Homo sexuals and discussion of selected works\\r\\n12 pm – 1.30 pmLunch brea k \\r\\n1.30 pm – 3.30 pm (eikones)Discussion of methods and terms\, ba sed on selected readings from the catalog The First Homosexuals: The Birth of a New Identity 1869–1939 (ed. Jonathan D. Katz with Johnny Willis\, New York 2025):\\r\\nJonathan D. Katz\, “Introduction\,” pp. 8–15Do uglas Pretsell\, “The Crucible of Sexual Orientation: Sexual Theories an d Identities in Nineteenth-Century Germany\,” pp. 38–43Catherine Gonna rd and Tirza True Latimer\, “Unbecoming Women: Becoming Lesbians in the Arts\, 1850s–1920s France\,” pp. 80–87Joseph Shaikewitz\, “Inversi ons: Errancy and Abundance in Brazil and the Southern Cone\,” pp. 236– 243\\r\\n3.30 pm – 4.30 pmCoffee break \\r\\n4.30 pm – 6 pm New Dire ctions Doctoral Forum: Queer MethodologiesPresentations of newly starting dissertation projects: \\r\\nSarah Bricke (PhD Candidate\, Art History\, Theory and Criticism\, Department of Visual Arts\, University of Californi a\, San Diego): “Without Permission: Artistic Interventions and Spaces o f Encounter at the Hudson River Piers”Eli Ståhl (PhD Candidate\, Instit ute for Art Theory and Cultural Studies\, Akademie der bildenden Künste Wien): “Between Abstraction and Figuration: Gender Nonconformity in Twen tieth Century Painting”\\r\\n6 pm Apero \\r\\nLimited number of partic ipants. To register and receive the readings as a PDF\, please write to: c harlotte.matter@unibas.ch X-ALT-DESC:

Program

10 am – 12 pm (Kunstmuseum Basel)
Opening input by Jonathan D. Katz

\n
Jo int walkthrough of the exhibition The First Homosexuals \;and d iscussion of selected works
\n
12 pm – 1.30 pm
Lunch break \;
\n
1.30 pm – 3.30 pm (eikones )
Discussion of methods and terms\, based on selected readings from t he catalog The First Homosexuals: The Birth of a New Identity 1869–19 39 \;(ed. Jonathan D. Katz with Johnny Willis\, New York 2025):
\n
Jonathan D. Katz\, “Introduction\,” pp. 8–15
Douglas Pretsell\, “The Crucible of Sexual Orientation: S exual Theories and Identities in Nineteenth-Century Germany\,” pp. 38– 43
Catherine Gonnard and Tirza True Latimer\, “Unbe coming Women: Becoming Lesbians in the Arts\, 1850s–1920s France\,” pp . 80–87
Joseph Shaikewitz\, “Inversions: Errancy and Abundance in Brazil and the Southern Cone\,” pp. 236–243
\n
3.30 pm – 4.30 pm
Coffee break \;< /p>\n
4.30 pm – 6 pm \;
New Directions Docto ral Forum: Queer Methodologies
Presentations of newly starting disser tation projects: \;
\n
Sarah Bricke (PhD Candidate\, A rt History\, Theory and Criticism\, Department of Visual Arts\, University of California\, San Diego): “Without Permission: Artistic Interventions and Spaces of Encounter at the Hudson River Piers”
Eli Ståhl (PhD Candidate\, Institute for Art Theory \;and Cultural S tudies\, Akademie der bildenden Künste Wien): “Between Abstraction and Figuration: Gender Nonconformity in Twentieth Century Painting”
\n
6 pm \;
Apero \;
\n

Limited number of participants. To register and receive the readings as a PDF\, please write to: charlotte.matter@unibas.ch

DTEND;TZID=Europe/Zurich:20260518T153000 END:VEVENT END:VCALENDAR