BEGIN:VCALENDAR VERSION:2.0 PRODID:-//Sabre//Sabre VObject 4.6.1//EN CALSCALE:GREGORIAN BEGIN:VTIMEZONE TZID:Europe/Zurich X-LIC-LOCATION:Europe/Zurich TZURL:http://tzurl.org/zoneinfo/Europe/Zurich BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:19810329T020000 RRULE:FREQ=YEARLY;BYMONTH=3;BYDAY=-1SU END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:19961027T030000 RRULE:FREQ=YEARLY;BYMONTH=10;BYDAY=-1SU END:STANDARD END:VTIMEZONE BEGIN:VEVENT UID:news363@eikones.philhist.unibas.ch DTSTAMP;TZID=Europe/Zurich:20260910T211244 DTSTART;TZID=Europe/Zurich:20261021T093000 SUMMARY:“Toute La Flore Vivante”: Floral Still Life’s Gender Potentia l DESCRIPTION:The workshop will bring participants into shared discussion of how art history has supported false taxonomical binarisms—in gender\, ge nre\, style\, and content—and how we might undo these to have a richer understanding of both art and life. Readings will include essays by Ringel berg (two of which unpublished) as well as texts by David J. Getsy and Emm a Heaney. In the second part of the workshop\, participants will have the opportunity to contribute specific questions related to their own research that resonate with the workshop’s readings and themes.\\r\\nTo attend t he workshop\, please send an email to lesbiangaze-kunsthist@unibas.ch [mai lto:lesbiangaze-kunsthist@unibas.ch] (limited number of participants).\\r\ \nMore information on Both/And: Madeleine Lemaire Through a Queer Lens [ht tps://eikones.philhist.unibas.ch/de/aktuelles/veranstaltungen/event-detail s/evening-lecture-by-kirstin-ringelberg-both-and-madeleine-lemaire-through -a-queer-lens/]\, the evening lecture by Kristin Ringelberg on October 20\ , 2026.\\r\\n\\r\\nReadings:– Ringelberg\, Kirstin. “Reading Cishetero normativity into the Art Historical Archives.” Arts 13\, Nr. 3 (2024): 8 9. https://doi.org/10.3390/arts13030089 [https://doi.org/10.3390/arts13030 089]– Ringelberg\, Kirstin. “Beyond Sex and Gender Binaries: The Flora l Still Lives of Madeleine Lemaire (1845–1928).” [draft]– Ringelberg \, Kirstin. “Introduction.” Chez Madeleine Lemaire: Gender and Genre i n the Queer Belle Époque (in progress) [draft]– Getsy\, David J. “Cap acity.” TSQ: Transgender Studies Quarterly 1\, no. 1–2 (May 2014): 47 –49.– Heaney\, Emma. “Introduction: Sexual Difference without Cisnes s.” In Feminism Against Cisness\, edited by Emma Heaney\, 1–33. Durham \, NC: Duke University Press\, 2024.Kirstin Ringelberg is Professor of Art History in the Department of History & Geography at Elon University in No rth Carolina. Their book Redefining Gender in American Impressionist Studi o Paintings: Work Place/Domestic Space was re-released in paperback in 201 7. Recent articles include “Reading Cisheteronormativity into the Art Hi storical Archives” in Arts\, spring 2024\, “Trans visibility and trans viability: a Roundtable\,” co-edited\, with Jill Casid and Cyle Metzger \, in the Journal of Visual Culture in 2022\, and “Prismatic Views: a lo ok at the growing field of transgender art and visual culture studies\,” co-authored with Cyle Metzger in the Journal of Visual Culture in 2020. I n 2024\, Ringelberg was the Every Page Foundation Fellow at the Clark Art Institute\, for work on their book-length project Chez Madeleine Lemaire: Gender and Genre in the Queer Belle Époque (in progress). X-ALT-DESC:

The workshop will bring participants into shared discussion o f how art history has supported false taxonomical binarisms—in gender\, genre\, \;style\, and content—and how we might undo these to have a richer understanding of both art and life. Readings will include essays by Ringelberg (two of which unpublished) as well as texts by David J. Getsy and Emma Heaney. In the second part of the workshop\, participants will ha ve the opportunity to contribute specific questions related to their own r esearch that resonate with the workshop’s readings and themes.

\n

T o attend the workshop\, please send an email to lesbiangaze-kunsthist@unibas.ch (limited number of participants).

\n


More information on Both/And: Madeleine Lemaire Through a Queer Lens\, the evening l ecture by Kristin Ringelberg on October 20\, 2026.

\n\n

Readings:
– Ringelberg\, Kirstin. “Reading Cisheteronormativity into the Art H istorical Archives.” Arts 13\, Nr. 3 (2024): 89. https://doi.org/10.3390/arts13030089
– Ringelberg\, Kirstin. “Beyond Sex and Gender Binaries: The Floral Still Lives of Madeleine Lemaire (1845–1928).” [draft]
– Ringe lberg\, Kirstin. “Introduction.” Chez Madeleine Lemaire: Gender and Genre in the Queer Belle Époque (in progress) [draft]
– Getsy \, David J. “Capacity.” TSQ: Transgender Studies Quarterly 1\, no. 1–2 (May 2014): 47–49.
– Heaney\, Emma. “Introduction: Se xual Difference without Cisness.” In Feminism Against Cisness\, e dited by Emma Heaney\, 1–33. Durham\, NC: Duke University Press\, 2024.< br />
Kirstin Ringelberg is Professor of Art History in the Departmen t of History &\; Geography at Elon University in North Carolina. Their book Redefining Gender in American Impressionist Studio Paintings: Work Place/Domestic Space was re-released in paperback in 2017. Recent art icles include “Reading Cisheteronormativity into the Art Historical Arch ives” in Arts\, spring 2024\, “Trans visibility and trans viabi lity: a Roundtable\,” co-edited\, with Jill Casid and Cyle Metzger\, in the Journal of Visual Culture in 2022\, and “Prismatic Views: a l ook at the growing field of transgender art and visual culture studies\, ” co-authored with Cyle Metzger in the Journal of Visual Culture in 2020. In 2024\, Ringelberg was the Every Page Foundation Fellow at the Clark Art Institute\, for work on their book-length project Chez Madele ine Lemaire: Gender and Genre in the Queer Belle Époque (in progress) .

\n\n DTEND;TZID=Europe/Zurich:20261021T123000 END:VEVENT END:VCALENDAR