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DTSTART:19961027T030000
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BEGIN:VEVENT
UID:news349@eikones.philhist.unibas.ch
DTSTAMP;TZID=Europe/Zurich:20260818T164620
DTSTART;VALUE=DATE:20260915
SUMMARY:Fragile Images: Conceptions and Configurations of the Image
DESCRIPTION:The ERC project FRAGILE IMAGES (Grant no. 101141247) invites to
  challenge the dominant notion of understanding imagesas powerful actors. 
 Moving away from the prevalent focus on aﬀective\, persuasive\, and imme
 rsive images\, this project foregrounds the temporal instability\, semanti
 c ambiguity\, and ontological self-reflexivity of images. Starting from th
 e gaze as a mediator between image and viewer\, between activity and passi
 vity\, between power and weakness\, the project proposes to intertwine a p
 raxeology of showing with a praxeology of viewing. This radically new appr
 oach brings together perspectives from Visual Studies and cultural history
  and applies them to Roman imagery from the 2nd century BC to the 4th ce
 ntury AD. On the basis of archaeological and written evidence from this pe
 riod\, ‘fragility’ is explored as a pictorial quality.\\r\\nIn collabo
 ration with eikones - Institute for the Theory and History of the Image - 
 this workshop situates these concepts within a broader framework. In three
  days\, we will test\, refine\, and expand the potential of “fragility
 ” as an image-theoretical concept by deliberately juxtaposing contributi
 ons on Roman imagery with studies focusing on other historical periods\, g
 eographical areas\, and disciplinary backgrounds. A detailed program will 
 follow. 
X-ALT-DESC:<p>The ERC project FRAGILE IMAGES (Grant no. 101141247) invites 
 to challenge the dominant notion of understanding imagesas powerful actors
 . Moving away from the prevalent focus on aﬀective\, persuasive\, and im
 mersive images\, this project foregrounds the temporal instability\, seman
 tic ambiguity\, and ontological self-reflexivity of images. Starting from 
 the gaze as a mediator between image and viewer\, between activity and pas
 sivity\, between power and weakness\, the project proposes to intertwine a
  praxeology of showing with a praxeology of viewing. This radically new ap
 proach brings together perspectives from Visual Studies and cultural histo
 ry and applies them to Roman imagery from the 2nd&nbsp\;century BC to the 
 4th&nbsp\;century AD. On the basis of archaeological and written evidence 
 from this period\, ‘fragility’ is explored as a pictorial quality.</p>
 \n<p>In collaboration with eikones - Institute for the Theory and History 
 of the Image - this workshop situates these concepts within a broader fram
 ework. In three days\, we will test\, refine\, and expand the potential of
  “fragility” as an image-theoretical concept by deliberately juxtaposi
 ng contributions on Roman imagery with studies focusing on other historica
 l periods\, geographical areas\, and disciplinary backgrounds. A detailed 
 program will follow.&nbsp\;</p>\n\n
DTEND;VALUE=DATE:20260917
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