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DTSTART:19810329T020000
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BEGIN:VEVENT
UID:news349@eikones.philhist.unibas.ch
DTSTAMP;TZID=Europe/Zurich:20260826T162426
DTSTART;VALUE=DATE:20260915
SUMMARY:Fragile Images: Conceptions and Configurations of the Image
DESCRIPTION:The ERC project FRAGILE IMAGES (Grant no. 101141247) invites to
  challenge the dominant notion of understanding images as powerful actors.
  Moving away from the prevalent focus on aﬀective\, persuasive\, and imm
 ersive images\, this project foregrounds the temporal instability\, semant
 ic ambiguity\, and ontological self-reflexivity of images. Starting from t
 he gaze as a mediator between image and viewer\, between activity and pass
 ivity\, between power and weakness\, the project proposes to intertwine a 
 praxeology of showing with a praxeology of viewing. This radically new app
 roach brings together perspectives from Visual Studies and cultural histor
 y and applies them to Roman imagery from the 2nd century BC to the 4th c
 entury AD. On the basis of archaeological and written evidence from this p
 eriod\, ‘fragility’ is explored as a pictorial quality.\\r\\nIn collab
 oration with eikones - Institute for the Theory and History of the Image -
  this workshop situates these concepts within a broader framework. In thre
 e days\, we will test\, refine\, and expand the potential of “fragility
 ” as an image-theoretical concept by deliberately juxtaposing contributi
 ons on Roman imagery with studies focusing on other historical periods\, g
 eographical areas\, and disciplinary backgrounds. \\r\\nProgram [t3://fil
 e?uid=750]
X-ALT-DESC:<p>The ERC project FRAGILE IMAGES (Grant no. 101141247) invites 
 to challenge the dominant notion of understanding images as powerful actor
 s. Moving away from the prevalent focus on aﬀective\, persuasive\, and i
 mmersive images\, this project foregrounds the temporal instability\, sema
 ntic ambiguity\, and ontological self-reflexivity of images. Starting from
  the gaze as a mediator between image and viewer\, between activity and pa
 ssivity\, between power and weakness\, the project proposes to intertwine 
 a praxeology of showing with a praxeology of viewing. This radically new a
 pproach brings together perspectives from Visual Studies and cultural hist
 ory and applies them to Roman imagery from the 2nd&nbsp\;century BC to the
  4th&nbsp\;century AD. On the basis of archaeological and written evidence
  from this period\, ‘fragility’ is explored as a pictorial quality.</p
 >\n<p>In collaboration with eikones - Institute for the Theory and History
  of the Image - this workshop situates these concepts within a broader fra
 mework. In three days\, we will test\, refine\, and expand the potential o
 f “fragility” as an image-theoretical concept by deliberately juxtapos
 ing contributions on Roman imagery with studies focusing on other historic
 al periods\, geographical areas\, and disciplinary backgrounds.&nbsp\;</p>
 \n<p><a href="t3://file?uid=750">Program</a></p>\n\n
DTEND;VALUE=DATE:20260917
END:VEVENT
BEGIN:VEVENT
UID:news357@eikones.philhist.unibas.ch
DTSTAMP;TZID=Europe/Zurich:20260905T091006
DTSTART;TZID=Europe/Zurich:20260916T181500
SUMMARY:What We See Looks Back at Us: Gaze Relations in Pompeian Wall Paint
 ing
DESCRIPTION:What role do gazes play in the relation between image and viewe
 r? Drawing on Ovid’s Narcissus and selected Pompeian wall paintings\, th
 is lecture explores how pictured figures direct\, return\, evade\, or susp
 end the viewer’s gaze. \\r\\nThe case of Mars and Venus demonstrates t
 hat gaze\, bodily posture\, and facial expression do not necessarily produ
 ce a coherent emotional narrative. Rather\, they create ambiguities and i
 nterpretative gaps that activate the viewer’s own judgement. Looking at
  images thus emerges as an unstable relation between seeing\, being seen\
 , and being addressed—one shaped not only by the image itself\, but also
  by its spatial and cultural setting.
X-ALT-DESC:<p>What role do gazes play in the relation between image and vie
 wer? Drawing on Ovid’s Narcissus and selected Pompeian wall paintings\, 
 this lecture explores how pictured figures direct\, return\, evade\, or su
 spend&nbsp\;the viewer’s gaze.&nbsp\;</p>\n<p>The case of Mars and Venus
  demonstrates that gaze\, bodily posture\, and facial expression do not ne
 cessarily produce a&nbsp\;coherent emotional narrative. Rather\, they crea
 te ambiguities and interpretative gaps that activate the viewer’s own ju
 dgement. Looking at&nbsp\;images thus emerges as an unstable relation betw
 een seeing\, being seen\, and being addressed—one shaped not only by the
  image itself\, but also by its spatial and cultural setting.</p>
DTEND;TZID=Europe/Zurich:20260916T193000
END:VEVENT
BEGIN:VEVENT
UID:news352@eikones.philhist.unibas.ch
DTSTAMP;TZID=Europe/Zurich:20260910T210053
DTSTART;TZID=Europe/Zurich:20260928T181500
SUMMARY:Ecological Encounters: Skin\, Cognition and Technology
DESCRIPTION:Human skin delineates the outer appearance of the individual\, 
 separating the body from its surroundings. In cultural and literary discou
 rse\, the modern individual is defined by its demarcation of self and non-
 self. Contemporary philosophy and theories of mind\, by contrast\, have re
 cently introduced the term “skin bag” to critique the confinement of h
 umans to their body proper. They argue that the human mind\, especially\, 
 extends naturally to include artificial technologies. While both positions
  may propagate different visions of human nature (and its future)\, they s
 hare a common misconception of the skin. Neither a boundary walling off th
 e organism from its environments\, nor an interface for technological appe
 ndices\, the skin is a living\, ecological host\, enabling life by sustain
 ing the life of other organisms\, and weaving the individual into the coll
 ective.\\r\\nIn my lecture\, I will discuss contemporary insights of micro
 biome research into the vulnerable surfaces of our bodies\, how inside and
  outside become convoluted\, and how the ecological conception of skin tra
 nsforms dualist imaginaries of mind and body\, nature and culture\, indivi
 dual and collective.
X-ALT-DESC:<p>Human skin delineates the outer appearance of the individual\
 , separating the body from its surroundings. In cultural and literary disc
 ourse\, the modern individual is defined by its demarcation of self and no
 n-self. Contemporary philosophy and theories of mind\, by contrast\, have 
 recently introduced the term “skin bag” to critique the confinement of
  humans to their body proper. They argue that the human mind\, especially\
 , extends naturally to include artificial technologies. While both positio
 ns may propagate different visions of human nature (and its future)\, they
  share a common misconception of the skin. Neither a boundary walling off 
 the organism from its environments\, nor an interface for technological ap
 pendices\, the skin is a living\, ecological host\, enabling life by susta
 ining the life of other organisms\, and weaving the individual into the co
 llective.</p>\n<p>In my lecture\, I will discuss contemporary insights of 
 microbiome research into the vulnerable surfaces of our bodies\, how insid
 e and outside become convoluted\, and how the ecological conception of ski
 n transforms dualist imaginaries of mind and body\, nature and culture\, i
 ndividual and collective.</p>
DTEND;TZID=Europe/Zurich:20260928T200000
END:VEVENT
BEGIN:VEVENT
UID:news350@eikones.philhist.unibas.ch
DTSTAMP;TZID=Europe/Zurich:20260910T165321
DTSTART;VALUE=DATE:20261002
SUMMARY:Ecologies of Mind in the Cold War
DESCRIPTION:Amid today’s geopolitical turmoil\, armed violence\, and info
 rmation warfare\, parallels could be drawn to the charged global tension a
 nd ideological polarization of the Cold War. Since the advent of the nucle
 ar age\, militarized nationalist and (neo-)colonial regimes have rarely re
 lied on ideological agitation alone. Rather\, they are characterized by th
 e use of data processing and communication technologies for mobilizing\, e
 xtracting\, analyzing\, and manipulating information and collective affect
 s: a form of subjectivation dependent on complex media environments that a
 re neither exclusively civil or military\, commercial or public\, epistemi
 c or governmental. This interdisciplinary conference seeks to explore such
  “ecologies of mind” and their shaping of the psychologized self durin
 g the Cold War. \\r\\nResponding to the moment of charged geopolitical te
 nsions\, ideological polarization\, and technocratic rationalities\, psych
 ologist and anthropologist Gregory Bateson coined the notion of “ecology
  of mind” to account for a distributed subjectivity that resists a mecha
 nistic understanding. Drawing on the transdisciplinary language of cyberne
 tics\, as well as from anthropology\, psychology\, evolutionary biology\, 
 and information theory\, Bateson described cognitive and psychic processes
  as embedded within—and in constant feedback with —the broader social 
 systems of information exchange. In his 1972 anthology Steps to an Ecolog
 y of Mind\, he remarked:\\r\\n“Freudian psychology expanded the concept 
 of mind inwards to include the whole communication system within the body
 —the automatic\, the habitual\, and the vast range of unconscious proces
 s. What I am saying expands mind outwards. And both of these changes reduc
 e the scope of the conscious self.”\\r\\nAccording to this vision\, the 
 organic and inorganic worlds\, the tangible and the discursive\, the socia
 l and the political\, as well as the technological and the aesthetic const
 itute an environment intertwined with the self that expands the mind and d
 ecenters the subject. This recursive epistemology foregrounds context inst
 ead of atomization\, feedback instead of linear causalities.\\r\\nUpsettin
 g the limited focus on Bateson’s immediate sphere of activity\, we welco
 me research on parallel and intersecting projects across disciplines and p
 olitical boundaries that share a common orientation toward the subjectivit
 y as distributed\, relational\, and ecological. Rather than casting Bateso
 n as an anomaly within Cold War rationality\, this conference asks how his
  ecological approach was itself situated within a broader discursive\, pol
 itical\, social\, and techno-scientific environments. In this way\, it inv
 ites to decenter Bateson’s inquiry through various related and simultane
 ous investigations into the environments of the self––namely\, the eco
 logies of mind––in the Cold War.\\r\\nSpeakers:Ole Bogner\, David Buch
 eli\, Orit Halpern\, Ute Holl\, Olexii Kuchanskyi\, Occitane Lacurie\, Svi
 tlana Matviyenko\, Marie Rebecchi\, Magnus Rust\, Kamila Smagulova\, Elena
  Vogman.\\r\\nProgram and abstracts here [t3://file?uid=765].
X-ALT-DESC:<p dir="ltr">Amid today’s geopolitical turmoil\, armed violenc
 e\, and information warfare\, parallels could be drawn to the charged glob
 al tension and ideological polarization of the Cold War. Since the advent 
 of the nuclear age\, militarized nationalist and (neo-)colonial regimes ha
 ve rarely relied on ideological agitation alone. Rather\, they are charact
 erized by the use of data processing and communication technologies for mo
 bilizing\, extracting\, analyzing\, and manipulating information and colle
 ctive affects: a form of subjectivation dependent on complex media environ
 ments that are neither exclusively civil or military\, commercial or publi
 c\, epistemic or governmental. This interdisciplinary conference seeks to 
 explore such “ecologies of mind” and their shaping of the psychologize
 d self during the Cold War.&nbsp\;</p>\n<p dir="ltr">Responding to the mom
 ent of charged geopolitical tensions\, ideological polarization\, and tech
 nocratic rationalities\, psychologist and anthropologist Gregory Bateson c
 oined the notion of “ecology of mind” to account for a distributed sub
 jectivity that resists a mechanistic understanding. Drawing on the transdi
 sciplinary language of cybernetics\, as well as from anthropology\, psycho
 logy\, evolutionary biology\, and information theory\, Bateson described c
 ognitive and psychic processes as embedded within—and in constant feedba
 ck with —the broader social systems of information exchange. In his 1972
  anthology&nbsp\;<i>Steps to an Ecology of Mind</i>\, he remarked:</p>\n<p
  dir="ltr"><i>“Freudian psychology expanded the concept of mind inwards 
 to include the whole communication system within the body—the automatic\
 , the habitual\, and the vast range of unconscious process. What I am sayi
 ng expands mind outwards. And both of these changes reduce the scope of th
 e conscious self.”</i></p>\n<p dir="ltr">According to this vision\, the 
 organic and inorganic worlds\, the tangible and the discursive\, the socia
 l and the political\, as well as the technological and the aesthetic const
 itute an environment intertwined with the self that expands the mind and d
 ecenters the subject. This recursive epistemology foregrounds context inst
 ead of atomization\, feedback instead of linear causalities.</p>\n<p dir="
 ltr">Upsetting the limited focus on Bateson’s immediate sphere of activi
 ty\, we welcome research on parallel and intersecting projects across disc
 iplines and political boundaries that share a common orientation toward th
 e subjectivity as distributed\, relational\, and ecological. Rather than c
 asting Bateson as an anomaly within Cold War rationality\, this conference
  asks how his ecological approach was itself situated within a broader dis
 cursive\, political\, social\, and techno-scientific environments. In this
  way\, it invites to decenter Bateson’s inquiry through various related 
 and simultaneous investigations into the environments of the self––nam
 ely\, the ecologies of mind––in the Cold War.</p>\n<p dir="ltr">Speake
 rs:<br />Ole Bogner\, David Bucheli\, Orit Halpern\, Ute Holl\, Olexii Kuc
 hanskyi\, Occitane Lacurie\, Svitlana Matviyenko\, Marie Rebecchi\, Magnus
  Rust\, Kamila Smagulova\, Elena Vogman.</p>\n<p dir="ltr">Program and abs
 tracts <a href="t3://file?uid=765">here</a>.</p>
DTEND;VALUE=DATE:20261003
END:VEVENT
BEGIN:VEVENT
UID:news358@eikones.philhist.unibas.ch
DTSTAMP;TZID=Europe/Zurich:20260910T170543
DTSTART;TZID=Europe/Zurich:20261008T181500
SUMMARY:Forumsvortrag «Sound Art History und die klanglichen Dimensionen d
 es Ambos in Aachen» mit Joanna Olchawa
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