BEGIN:VCALENDAR VERSION:2.0 PRODID:-//Sabre//Sabre VObject 4.6.1//EN CALSCALE:GREGORIAN BEGIN:VTIMEZONE TZID:Europe/Zurich X-LIC-LOCATION:Europe/Zurich TZURL:http://tzurl.org/zoneinfo/Europe/Zurich BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:19810329T020000 RRULE:FREQ=YEARLY;BYMONTH=3;BYDAY=-1SU END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:19961027T030000 RRULE:FREQ=YEARLY;BYMONTH=10;BYDAY=-1SU END:STANDARD END:VTIMEZONE BEGIN:VEVENT UID:news368@eikones.philhist.unibas.ch DTSTAMP;TZID=Europe/Zurich:20261111T100408 DTSTART;TZID=Europe/Zurich:20261126T143000 SUMMARY:Re-praxeologizing art objects DESCRIPTION:Program\\r\\n14h30 — Lorenza Mondada\, Re-praxeologizing art objects\\r\\non Ben Vautier (Le Magasin / Tinguely) and Vittorio Santoro (Veterans / Fondation Fernet Branca)\\r\\n16h30 coffee break\\r\\n17h00 — Art conversation with Vittorio Santoro\\r\\nwith the participation of the artist and\\r\\nDaniel Kurjakovic (curator)\, Olga Osadtschy (dir. F. Fernet Branca)\, Lorenza Mondada\\r\\n19h00 apero\\r\\nThis seminar aims at reflecting on how the video documentation of artistic work gives insigh ts on art practices and makes possible a praxeological perspective on art. Instead of considering the art object as a final product – largely priv ileged in the visit of exhibitions and museums\, as well as in catalogues and books — the use of a video methodology enables an analytic gaze on t he production of the art object\, the making of art and the situated pract ices that make art\, not only of the artist but of other professionals as well. This praxeological view will be discussed on the basis of several vi deos documenting the activities of various workers\, including the artist\ , re-assemble installations for an exhibition. A careful look at the embod iwork shows how important decisions are made until the last moment before the opening and more generally on how art practices are situated in course s of action dealing with practical contingencies\, emergent questions\, an d serendipitous insights. This seminar is an occasion to reflect about the contribution of video-based praxeological and interactional detailed anal yses rooted in Ethnomethodology and Conversation Analysis for the understa nding of art making.\\r\\nLorenza Mondada [https://eikones.philhist.unibas .ch/en/persons/mondada-lorenza/] is professor for linguistics at the Unive rsity of Basel and member Eikones.\\r\\nVittorio Santoro [https://www.vitt oriosantoro.info] is an artist living between Zürich and Paris\, working with poetry\, photography\, sculpture\, installations and video/film play ing with literary\, political\, historical and perceptual sources. He rece ntly exposed various installations in the collective exhibition “Tempest a” curated by Daniel Kurjakovic at the Fondation Fernet Branca directe d by Olga Osadtschy. The work of unwrapping\, re-arranging and re-wrappin g the installations was video-recorded by Lorenza Mondada and David Montei ro and the results of this collaboration will be discussed here.\\r\\nThis event is part II of a 2-days workshop held on 26-27.11.2026 on \\r\\n“ Artistic Practices: a video-based ethnomethodological and conversation ana lytic perspective”\\r\\nIf you are interested in participating contact l orenza.mondada@unibas.ch [mailto:lorenza.mondada@unibas.ch] X-ALT-DESC:

\ n

14h30 — \;Lorenza Mondada\, Re-praxeologizing art object s

on Ben Vautier (Le Magasin / Tinguely) and Vitto rio Santoro (Veterans / Fondation Fernet Branca)

16h30 coff ee break

17h00 — \;Art conversation with Vittorio Santoro

with the participation of the artist and

Daniel Kurjakovic (curator)\, Olga Osadtschy (dir. F. Fernet Branca)\, Lorenza Mondada

\n
19h00 apero
\n
This seminar aims at reflecting on how the video documentation of ar tistic work gives insights on art practices and makes possible a praxeolog ical perspective on art. Instead of considering the art object as a final product – largely privileged in the visit of exhibitions and museums\, a s well as in catalogues and books — the use of a video methodology enabl es an analytic gaze on the production of the art object\, the making of ar t and the situated practices that make art\, not only of the artist but of other professionals as well. This praxeological view will be discussed on the basis of several videos documenting the activities of various workers \, including the artist\, re-assemble installations for an exhibition. A c areful look at the embodiwork shows how important decisions are made until the last moment before the opening and more generally on how art practice s are situated in courses of action dealing with practical contingencies\, emergent questions\, and serendipitous insights. This seminar is an occas ion to reflect about the contribution of video-based praxeological and int eractional detailed analyses rooted in Ethnomethodology and Conversation A nalysis for the understanding of art making.
\n
Lorenza Mondada is professor for linguistics at the University of Basel and member Eikones.< /p>\n
Vittorio Santoro is an artist living between Zürich and Paris\, working with poetry\, photog raphy\, \;sculpture\, installations and video/film playing with litera ry\, political\, historical and perceptual sources. He recently exposed va rious installations in the collective exhibition “Tempesta” curated by \;Daniel Kurjakovic \;at the Fondation Fernet Branca directed by& nbsp\;Olga Osadtschy. The work of unwrapping\, re-arranging and re-wrappin g the installations was video-recorded by Lorenza Mondada and David Montei ro and the results of this collaboration will be discussed here.
\n
T his event is part II of a 2-days workshop held on 26-27.11.2026 on \;< /p>\n
“Artistic Practices: a video-based ethnomethodological and co nversation analytic perspective”
\n
If you are interested in pa rticipating contact lorenza.mon dada@unibas.ch
DTEND;TZID=Europe/Zurich:20261126T190000 END:VEVENT END:VCALENDAR