Aurea Klarskov
PhD candidate
PhD candidate
PhD candidate

Aurea Klarskov

Philosophisch-Historische Fakultät

eikones – Zentrum für die Theorie und Geschichte des Bildes

PhD candidate

Rheinsprung 9/11
4051 Basel
Schweiz

Tel. +41 61 207 18 12
aurea.klarskov@unibas.ch


Philosophisch-Historische Fakultät

Departement Künste, Medien, Philosophie

Professur Ubl

PhD candidate

Rheinsprung 9/11
4051 Basel
Schweiz

Tel. +41 61 207 18 12
aurea.klarskov@unibas.ch


Philosophisch-Historische Fakultät

PhD candidate

Tel. +41 61 207 18 12
aurea.klarskov@unibas.ch

Curriculum Vitae

Aurea Klarskov studied art history and german philology in Basel (Universität Basel) and Berlin (Humboldt Universität Berlin). Since February 2017 she is working as a scientific assistant in the SNF-Sinergia-Project “Media of Exactitude. Ideals, Practices, Representations” and as of September 2017 she is a PhD candidate at the eikones graduate school in Basel.

Current project

Procedural Precision. Marcel Duchamp’s Concepts of Time

Within the broad scope of Marcel Duchamp’s interest in scientific standards of research and knowledge and his own ironic destabilization of the same, procedural precision is suspected to be a helpful working concept for understanding the French artist’s intricately interwoven oeuvre and working process. This will be the dissertation’s field of investigation as it hopes to take into account the precision of Duchamp’s artistic methods and procedures on the one hand and the temporal relations articulated in his works on the other.

Marcel Duchamp, Trois Stoppages Étalon, 1913-14, Replikat 1964, Holz, Glas und Farbe auf Leinwand, 40 x 130 x 90 cm, London, Tate Modern.

Marcel Duchamp, Trois Stoppages Étalon, 1913-14, Replikat 1964, Holz, Glas und Farbe auf Leinwand, 40 x 130 x 90 cm, London, Tate Modern.